We perceive color just as we perceive taste. When we eat, our
taste buds sense four attributes: sweet, salty, sour and bitter.
Similarly,
when we look at a scene, our visual nerves register color in terms of the attributes
of color: the amount of green-or-red; the amount of blue-or-yellow; and the brightness.
To see how colors are registered in terms of the attributes of color, point at
the painting by
Renoir.
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Note that these attributes are opposites,
like hot and cold. Color nerves sense green or red — but never
both; and blue or yellow — but never both. Thus, we never see
bluish-yellows or reddish-greens. The opposition of these colors forms the basis
of color vision.
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Ewald Hering (1834-1918) devised the first accurate
theory of color vision. He theorized the “opponent” nature of green/red and blue/yellow.
Hering expanded on the ideas of Goethe and Schoepenauer. |
Color
attributes were first understood by 19th century physiologist Ewald Hering, who
made the color charts below. His charts show how all colors arise from a combination
of green-or-red, blue-or-yellow and brightness. (In his diagram, the green-neutral-red
is vertical, and blue-neutral-yellow is horizontal.) The left circle shows relative
mixtures of color attributes. The right circle shows what we perceive when these
attributes are mixed.

We can understand much about color by considering how the
green-red and blue-yellow color attributes interact. For example, contrasting
colors are diametrically opposite on the color circle.
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A modern representation of color space.
This is conceptually similar to Herings circles, but the middle fades to
gray. |
The artistic term “hue” is the edges of
the square (the outside of Hering’s circle); “saturation” represents where the
color is placed between grey middle and the colored edge; “value,” also called
“brightness” or “luminance,” is the intensity of the color and is the third attribute.
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Courtesty of:
http://webexhibits.org/colorart/color.html